Built by 100-mile race winners. We market ultra brands and ultramarathons from inside the race, not from behind a desk.
Ultra Nomadic Media is an ultra running marketing agency for trail and ultra brands, ultramarathons, and the athletes who carry them. We run the ads, shoot the creative, cut the films and build the brand. We do it from the course, because that's where we already spend our weekends.
We don't do everything for everyone. We do ultra running marketing for the people who build this sport.
Nutrition, packs, footwear, apparel, lights, recovery. If it goes in a drop bag or on a runner's back, we know how to sell it to the person carrying it, because we're carrying it too.
Race directors who need registrations, a sharper race identity, and a film that makes runners want to toe the line next year. We'll travel anywhere in the U.S. to market your event.
Films and coverage of 100- and 200-mile efforts, shot by people who are out on course with you, usually as your pacer.
Brands that know ultra runners are their best customers but can't get an ad to land with them. Ultra runners can tell who's actually been out there. For broader outdoor brands, see our outdoor brand marketing work.
Most agencies that say they do endurance marketing have never made a deal with themselves at an aid station at 3am. They've never watched what a runner does with their gear when everything hurts. That gap shows up in their ads, and ultra runners spot it in half a second.
We're not a generalist agency that added an endurance vertical. We're ultra runners who learned marketing.
On top of the races, we spend plenty of ultra-length days in the mountains that never get a bib or a finish line.
"We're not a generalist agency that added an endurance vertical. We're ultra runners who learned marketing."
Every brand we work with is a product we'd be comfortable using. When we're on camera representing your brand, our reputation is attached to it, and honesty is non-negotiable.
When we cover an athlete, we're usually also their pacer. We help with crew, or we are the crew if they don't have one. The camera is running the whole time.
That's how we get the night sections, the low points and the comebacks a camera parked at the finish line never sees. It's also where the ad creative that actually converts comes from: real runners, real miles, real product, no staging.
Want this for an athlete or a race? See athlete coverage and event coverage.








Event coverage: Freedom Ultra Festival & Black Barn 200, shot for Freedom Ultra Runners
Strategy, creative, production and paid media under one roof. The people shooting your footage are the same people running your ads.
Facebook and Instagram advertising built for ultra runners: targeting, scripting, testing and scaling. Ad spend grows with revenue, not before it.
Ultramarathon advertising that fills fields. Footage from your actual course and runners, put in front of people who already sign up for ultras.
Race films and athlete films shot on course while pacing and crewing, then edited in-house. 100s, 200s, and everything in between.
Start line to final finisher. Photo, video and social content that works for this year's recap and next year's registration push. Most recently: the Freedom Ultra Festival and Black Barn 200.
Your product used the way your customer uses it, in real races, in real weather, on real runners. No white backdrops.
A content engine that makes your brand part of the ultra community, not an advertiser standing outside it.
Your race is great, but the marketing is a course map and a price-increase reminder. We give runners a reason to sign up: what your course feels like at mile 60, told by people who've run it.
Good gear, forgettable ads. We rebuild the creative around how your product performs over 100 miles, then put real budget behind what's working.
The same three ads have been running since spring. We're at races all season, so we're always shooting, and your account always has fresh, real footage to test.
Ultra runners scroll right past stock-footage fitness ads. Content shot on course by runners reads like the community talking, because it is.
"Runners" is a huge, expensive audience. Ultra runners are a specific one. We know what they read, where they race, what they carry and what makes them stop scrolling.
Paid "UGC" from people who've never run an ultra is easy to spot. Ours comes from people who are actually out there.
Your athletes are doing incredible things and it's living on a Strava upload. We turn those efforts into films that build the athlete and the brands behind them.
Some brands came to us close to shutting their doors. They went on to have the best months in their history.
Most of the industry calls a 4x ROAS good. These are real client ad accounts.
We've grown registrations for ultra events and built brands inside the ultra community, including brands that were about to close and went on to have their best months ever.
Hummingbird Fuels, Ultimate Direction and Freedom Ultra Runners, plus outdoor brands including Sierra Designs and Traverse Adventure Gear.
For Freedom Ultra Runners, we shot event coverage of the Freedom Ultra Festival and the Black Barn 200. That's the start line, the aid stations, the crew handoffs and the finish line, all from inside the race.
Every one of them got creative shot by people who use the product the way their customers do, out on the trail, deep into the miles.
What you sell, who buys it or registers for it, what's working and what isn't. You talk to the owner directly. No account managers, no layers.
We run with your product at races and on big mountain days, or travel to your event anywhere in the U.S. to film it, often while pacing and crewing.
The same people who shot it edit it into ad creative, films and social content. Nothing gets lost in a handoff.
Ad scripts, targeting and launch on Meta, built around how ultra runners actually buy gear and pick their next race.
Patience on the build, aggression on the push. Fresh creative every race season, and ad spend that grows with revenue.
"We don't market from behind a desk. We market from the mountains, the trails, and the finish lines."
Want the full breakdown? Here's how working with UNM actually works, from the first conversation to a live campaign.
An ultra running marketing agency helps trail and ultra brands sell product and helps ultramarathons fill their fields. At UNM that means running Meta ads, shooting ad creative on real courses, producing race and athlete films, covering events and running social. We do it for one sport and one community.
Both. We market ultra and trail running brands, and we work directly with races and event organizers on registration campaigns, race films and event coverage. For example, we covered the Freedom Ultra Festival and Black Barn 200 for Freedom Ultra Runners.
Yes. We've grown registrations for ultra events. We use footage from your actual course and runners, put it in front of runners who already sign up for ultras, and keep the creative fresh through the whole registration window.
Yes. Our team has finished Crown Stub 100, Yeti 100, Coldwater 100 and UltraFest 100, and won McCormick 24 at 100 miles with a course record. Our co-founder also holds 100-mile wins and course records, and we're moving into 200-milers, including Cocodona 250.
From inside it. When we cover an athlete we usually pace them and help crew, or run the whole crew if they don't have one, and the camera runs the entire time. That's how we get the night sections, low points and aid-station moments a camera parked at the finish line never sees.
Yes. We travel anywhere in the United States to film an athlete, cover an event, run marketing for a race or shoot product in the terrain it was built for.
Meta (Facebook and Instagram) is where ultra runners discover gear and decide to register, so that's where we focus. Creative, targeting and scaling are all handled in-house by the same team that shoots the footage.
Our client ad accounts have returned 33.94x, 73.01x, 32.13x and 124.12x ROAS. We've also taken brands that were close to shutting down to the best months they've ever had.
Pacing, planning, night footage and shooting the story, from a crew that films 100s while running them.
A course map isn't a reason to sign up. Here's what actually fills an ultra race field.
Ultra runners have the best BS detector in sports marketing. Here's how to make ads that pass it.